Toți scribălăii Moldovei
sovietice
și apoi ai Republicii au fost
și sunt
KGB-iști înrăiți, cu mii de
denunțuri
la răbuș, scriu cu zel și au
case, primesc
de pomană doi cebureci și
fericirea lor
este deplină ca a câinilor. Nu
mai pot
fără cebureci și fără să
clămpănească
ca pe o muscă pe vreun amărât
și continuă să mănânce doi
cebureci
puși unul peste altul.
Canibalul Gadahîrcă
s-a transformat în năpîrcă
și s-a lipit sus pe geam
fără amintire fără neam
și așa putrezește an de an
privindu-l ai crede că-l usuci
femela însă îl hrănește cu
lăptuci
Gadahîrcă e chifleac
trântit în schmutz suge
un fleac.
Oricum ar fi umflați toți scriitorii români pe lângă mine, Vlad Neagoe sunt
niște fleacuri. Aleluia!
Ceasul rău cu pocitură
ceasul rău cu ațe-n gură
cu nemăsură
taman când nu te-aștepți
te prinde de țufluc
și te bagă la balamuc
cu mare bucluc.
Taman tu i te pui în cale
să te frângă ca pe prescură
încerci să-ți scrutezi conștiința
și vezi că este găunoasă.
Te retragi fără timp,
fără spațiu
în singurătatea
ceasului rău care foșnește.
This drawing by Liviu Neagoe presents a stylized portrait that merges simplicity of line with expressive color contrasts. The figure’s face, framed by a mauve head covering, is rendered with minimal contouring—yet the eyes and lips, sharply defined in brown and red, command attention. This selective emphasis creates a psychological tension between serenity and intensity.
The blue garment introduces a cool counterpoint to the warmth of the head covering, suggesting compositional balance and emotional duality. The triangular form at the neckline, punctuated by a yellow circle, acts as a subtle geometric anchor—perhaps symbolizing inner focus or spiritual clarity. Neagoe’s characteristic economy of line and deliberate asymmetry evoke both restraint and introspection, hallmarks of his visual language.
The portrait’s frontal pose and direct gaze invite contemplation rather than narrative. It feels less like a depiction of a specific person and more like an archetype—an emblem of dignity, quiet strength, and contemplative presence. The absence of background reinforces this timeless quality, isolating the figure in a space of pure expression.
This new drawing by L. Neagoe is for sale. Who wants to buy it please email me at vladneagoe52@gmail.com
This drawing by Liviu Neagoe continues his exploration of expressive minimalism and psychological portraiture through line and color.
The portrait is defined by fine, deliberate contour lines, which trace the face and neck with precision yet restraint. The simplicity of the outline contrasts with the vivid chromatic accents—the blue eyes and red lips—that immediately draw the viewer’s attention.
The hair, rendered in soft golden tones with rhythmic internal lines, creates a sense of movement and organic texture, balancing the otherwise static geometry of the face.
The white background isolates the figure, emphasizing the purity of form and the emotional charge of the gaze.
The subject’s tilted head and direct gaze evoke introspection and vulnerability. The asymmetry of the features—particularly the slightly uneven eyes and lips—introduces a tension between idealized beauty and human imperfection. Neagoe’s use of color is symbolic:
Blue eyes suggest clarity, perception, or inner truth.
Red lips convey vitality and sensuality.
Golden hair may represent light or spiritual radiance.
Together, these elements create a portrait that oscillates between earthly presence and ethereal detachment, a hallmark of Neagoe’s figurative style.
This work exemplifies Neagoe’s ability to distill emotion through reduction. The drawing’s economy of means—line, color, and space—transforms the figure into a psychological icon, inviting viewers to contemplate the silent dialogue between outer form and inner life.
