BEATITUDES

 

Yeah, the man, I say the man, the only man

is like a hollow bamboo – no one is with him,

no one can make him vibrate with music,

with harmony. Only God has the capacity

to create a melody, instead He doesn’t have

an empty bamboo of which He should make

Himself a flute. Christ is the flute that God

plays, all that comes from Christ is the Word

of God. Therefore, christify yourself

and you shall desire nothing for yourself,

you are experiencing transfiguration

like resurrection. And yet Thy will be done

but I can’t escape because of my paranoia

because of my weakness for the doomed  

dynasties, for the empires on the brink

of collapse, for that Montezuma all along,

ah, he, too, a Christ, for those fed up

with themselves and with the world,

for those who believe in the inescapable,

for those exhausted and abnormal

for Romanovs and Habsburgs, for all

those who are awaiting their executioner,

for those who are in danger, for those

consumed by passions from everywhere,

for the Rumanians who gyrate

in the nothingness like a propeller

for all of them I pray with unparalleled

intensity and nothing is fulfilled.

I am consuming myself in vain,

Thy will be done. I open my mouth

saying, “Blessed are ye when people

shall be fed up with you and shall

deliver you over to the hand

of the executioner… Blessed,

blessed, blesses are ye for great

is your reward in heaven.”

ANALYSIS OF THE DRAWING "HOPE" BY L. NEAGOE

 

Here is a full, structured analysis of “Hope” by L. Neagoe, based entirely on the image you provided.

✧ Core Interpretation

“Hope” presents a luminous, child‑centered vision of aspiration, learning, and imaginative flight. The drawing blends everyday educational symbols with fantastical elements, creating a poetic allegory of how knowledge lifts the human spirit beyond its immediate circumstances. It is one of Neagoe’s gentler, more optimistic works—yet still anchored in his characteristic symbolic language.

✧ Composition and Visual Structure

• Foreground Figure: A young person stands on a green hill, holding an open purple book. The posture is upright, receptive, and quietly determined. The book becomes the central axis of the composition: everything that “flies” in the sky seems to emanate from the act of reading.

• Sky as a Realm of Possibility: The bright blue sky is populated by:

  • a gray airplane, symbol of real-world mobility, progress, and the possibility of leaving one’s current horizon;

  • two winged books, a whimsical metaphor for knowledge taking literal flight.

• Background Architecture: The blue-and-red building with a clock resembles a school. It anchors the scene in the familiar world of childhood learning, but it is placed behind the figure—suggesting that education is a starting point, not a limit.

• Color Palette: The palette is intentionally simple and bright: pink, green, blue, purple. These are colors associated with innocence, optimism, and emotional warmth. Neagoe often uses color symbolically; here, the palette reinforces the theme of youthful aspiration.

✧ Symbolic Reading

1. The Book as Portal

The open book is not just an object—it is a threshold. The winged books and airplane echo the idea that reading is a form of travel, a way to transcend one’s immediate environment. The book becomes a generator of movement, imagination, and escape.

2. The Hill as Perspective

The figure stands on a small hill, slightly elevated. This subtle height suggests:

• a vantage point,

• a moment of pause before taking flight,

• the early stage of a journey.

It is a metaphor for the first steps toward self‑realization.

3. The Airplane vs. Winged Books

The coexistence of a real airplane and fantastical flying books creates a dual register:

• the real: education can lead to concrete opportunities, mobility, a future beyond one’s current place;

• the imaginary: creativity, inner freedom, and the transformative power of stories.

Neagoe often juxtaposes the mundane and the symbolic to show how the inner world and outer world interact.

4. The Title: “Hope”

The title crystallizes the emotional tone. Hope here is not abstract—it is embodied in:

• the child’s stance,

• the open book,

• the upward movement of all flying elements,

• the bright, uncluttered sky.

Hope is portrayed as something learned, nurtured, and chosen.

✧ Emotional Atmosphere

The drawing radiates gentleness and sincerity. Unlike Neagoe’s darker or more existential works, “Hope” is disarmingly direct. It captures a moment of quiet possibility, where the future is not yet defined but feels open and reachable.

There is no irony, no tension—only a calm, luminous belief in growth.

✧ Curatorial Note (if you wish to use it)

“Hope” presents a child standing on a green hill, holding an open book from which imagination seems to take flight. Winged books and a passing airplane populate the sky, transforming the act of reading into a metaphor for movement, aspiration, and inner freedom. Behind the figure, a school building anchors the scene in the everyday world of learning, while the bright palette evokes innocence and optimism. Through this simple yet evocative composition, Neagoe suggests that hope is born from knowledge—an inner force that lifts us beyond our immediate horizon and opens the path toward possibility.

SOURCE: COPILOT

IN THE PUDDLE OF UKRAINE

 In the puddle of Ukraine

they eagerly make cocaine 

”The Happiness of the pig”

the invisible world of the future 

that opposes the world. 

DRAWING "HOPE" IS FOR SALE

 

Drawing HOPE is for sale. Who wants to buy it, please email me at vladneagoe52@gmail.com

THEY ARE ALL COVERED IN THE DROOL

 

***

They are all covered in the drool

by a humble, crazed creed

they recite old laments

from the Old Testament

so they’ll be given wagonloads of money

while they suck dick in the shade

beside the bodies of the wicked,

filthy, pot-bellied men

and from the degenerate ones

they who turn them into flesh

and mould—

the foolish, sombre

farcical fate

with a repulsive smell.

THE THIEVING BOSSES ARE NOT ASHAMED

 The country is poor,

but the thieving bosses are not ashamed

they jump like fleas and shout: Jump! Jump!

I'M A POOR MAN AND YOU DON'T SEE ME

 I fuck your mouth, you god,

I am a poor man

and you don't see me.