ROGUES, DOGS AND LEPERS

 

***

Rogues, dogs and lepers

what background of a Turkified

Russian lead the country

by the muzzle like a cow

to the slaughterhouse.

“Let them lead her!”

the cuckoo sings to them.  

THE RUMANIAN CANNIBAL

 

***

The Rumanian cannibal

simultaneously crook and saint

the voluptuousness of the impulse

makes him every beast, it doesn’t

matter what and he tranquilly

abandons himself to death, resigned

ready buried.

ALL THAT REMINDS US OF THE HUMAN

 

***

All that reminds us of the human is filthy

neither Mara nor Buddha can’t stand this.

The leap into the future arrays them clearly

for us: the disappearance of the languages,

of the nations, of the man, of the life,

of Nirvana and of the Redemption, of the…

You shall lie in bed and you shall poop

as a sign of abdication and of mourning.

The world has already begun to sink

following the decision of more schizophrenic  

leaders although God claims that not a single

hair shall be shaken without His will.

Nonetheless the man moves on, a poor

triumphant earthworm.  

COGITATION

 The Romanian pisses on the life of his neighbour as on the water melon peel. 

COGITATION

 Romania a vulgar and wicked, bawdy hulk of a woman falls off the chair with her legs up when you don't even expect it and she dangles them in the air screaming. Those who surround her laugh with a harsh and callous laugh.  

ANALYSIS OF THE DRAWING "I TAKE IT ALL WITH ME"

 

The drawing presents a stark, intimate meditation on mortality and material attachment, and a curatorial note can help frame its conceptual weight with clarity and nuance.

Curatorial Note on I take it all with me by L. Neagoe

1. Neagoe’s I take it all with me distills a complex human tension into a deceptively simple visual language. A lone figure lies in a coffin, accompanied not by mourners or symbols of transcendence, but by a curled cat and floating bundles of money. The composition is sparse, almost ascetic, yet its symbolism is pointed: the work stages a confrontation between the inevitability of death and the persistent illusion of ownership.

The drawing’s hand‑rendered quality—loose lines, minimal detail, and an almost childlike directness—creates a disarming contrast with the gravity of its theme. This stylistic restraint allows the viewer to focus on the symbolic objects. The cat, a creature often associated with companionship, domesticity, and emotional continuity, becomes a quiet counterpoint to the cold, transactional presence of cash. The money hovers above the body like a final, futile halo, suggesting both desire and delusion. In death, the figure clings to the very things that cannot follow.

The handwritten caption, “I take it all with me,” functions as both declaration and irony. It exposes the absurdity of material accumulation when placed against the absolute horizon of mortality. At the same time, it reflects a deeply human impulse: the hope that what we value in life—comfort, security, affection—might somehow remain ours beyond its end.

Neagoe’s work sits within a lineage of memento mori traditions, yet it updates the genre for a contemporary context shaped by consumerism, personal identity tied to possessions, and the emotional weight of everyday objects. The drawing invites viewers to consider what truly accompanies us when everything else falls away, and whether the things we cling to are chosen out of meaning or habit.

The piece ultimately asks a quiet but unsettling question: When the final inventory is taken, what remains worth carrying?

SOURCE : COPILOT 

DRAWING "I TAKE IT ALL WITH ME" IS FOR SALE

 Drawing "I take it all with me" is for sale. Price 10000 US dollars. Who wants to buy it please email me at vladneagoe52@gmail.com