Discover the Magic of "Full Moon" by Vlad Neagoe
Let Vlad Neagoe’s words light up your night. [Buy "Full Moon" Today] – Because some books don’t just speak… they illuminate.
MELANCOLIA FULGERULUI Vlad Neagoe are cosmognia în sânge. Închipuirea sa e inflamantă de spectacole terifiante, de convulsii metaf...
Discover the Magic of "Full Moon" by Vlad Neagoe
***
You
revolve around a shipwreck you wake up
in
front of a wall, you have to go back, you were
not
fated to pierce it or to blow it up, therefore
retreat
and defeat you say your prayers, God
doesn’t
read and you don’t know what’s the use
of
so much suffering, of the persecutions
that
are administered to you by the cannibals.
The
martyrs say that the suffering has only one
goal:
that one to open eyes, to awake the spirit
to
know: you suffered therefore you understood
for
this you endured the illness or the iniquity
or
any other form of misfortune. That it makes
you
a kinder man? Nonsense. He is kind the one
who
was already kind. The suffering is useful
only
for the knowledge and, apart from this,
she
does nothing but poison the life.
The
tranquillity comes from the thought that,
being
a man, you are born under an unlucky star
and
that all that you undertook, and all that
you
are going to undertake will be cradled
by
the bad luck and anyhow someday it will
fail.
Every victory, let her be apparent, too
brings
spiritual obnubilation with her.
The
oblivion is what you are. Let us at least hope.
The
eyes that believe that they invent the light
awaken
the wind.
***
You
plunge equally into the interior
and
into the boundary of your being
you
wouldn’t wish the life to fade away
simultaneously
you feel as if you are
as
null as a dead water that exhausts
the
barren stone and only god on a rock
non-dispersed
neither by the shadows
nor
by the world, believing yourself to be necessary.
***
You
scrawny man, you skinny man
push
me from the heart the vortex
whereunto
you run is silhouetted
in
the window as in the full moon
within
the curly, quarrelsome light
the
cruel mass of the death the Dacian
dukes
drink their poison, laughing
the
woods leap up, the mud intensifies
the
orgasm I grow, I fall out of you,
scrawny
man. You devour me
from
you shall I live until distracted
your
name upon mine the already
extinguished
sense with the arms
crossed
upon the chest until you
regenerate
in other terrors
you
regenerate in other tricks
and
other nullifications, annihilations.
Simone Weil ne convinge că
Moise biblicul
a fost primul Hitler al omenirii
și cu asta
iudeii se mândresc. După
tiparul lui jidanii
din România au făcut mii și mii
de cuiburi
de legionari Jigheara
supernațiste, superrasiste.
La Banca Națională cuib legionar
jigheara e
la Ministerul de finanțe cuib
de legionari
jigheara e, la Ministerul de Externe cuib
de legionari jigheara e, la Institutul Cultural
Român cuib legionar jigheara e,
la ministerul
culturii cuib legionar
jigheara e, la Radioteleviziuni
cuib legionar
jigheara e, în învățământ cuib
legionar
jighgeara e, mai nou și la guvern
cuib
legionar jigheara e. Și sunt
nenumărate
cuiburi legionare pe la
departamente,
agenții de asigurare și alte mii
de agenții
și departamente care au un cuib
de legionari
jigheara unde ei sunt stăpânul
și ei sug tot
banul. Niciun ziar nu-i care să
nu fie dirijat
de cuibul central de legionari
hipernațiști jigheara.
Acestea sug și usucă tot bugetul
țării,
pe când aborigenii s-au făcut
slăbănogi,
slugile lor oropsite. Și acești
jigheara
distrug cu brio țara și-i sug
măduva.
Să nu aveți o țară, urlă acești
șacali ieșiți
din dinozaurii Sodomei! Și
aborigenii
sunt pe cale de dispariție.
Deja aici e Jighearia.
Over
here the name himself of this
country
hurts
your soul the bellicose arrogance
of
those who populate her, of the guests
and
of the citizens of a different chosen race
hurts
you too. As if from underground is
audible
the weeping of the rascals,
of
the petty thieves the wailing
of
the slandered women beaten
to
death: the love of the Devil is burning
inside
the women, only the wind knows
the
bitterness of this damned region
that still doesn’t let any bud of love arise
in
the soul. Look, ye bandits everything
drowns
in the mud, howls a Gyppo manele songster.
***
The
stomach of the paranoid leader
demands
that the soup be hot
but
the tongue of the corpses be tender
the
blood on the wound be like the salt.
The
criminal tyrants make plans
for
their stomach, too a despicable
interference
in the nature’s matters.
For
us, coming into life doesn’t exist.
***
Petrified
time
the
man believes no more in his destiny
will
he disappear?
The
man, what novelty!
***
The
dog-hearted Securitate bard
smelling
of pig’s fart flower
feels
a strong pain in his guts.
“Poesy,”
he says to himself, “lives
on
perpetual barbecues, I have
to
stick them into the brine,
to
rat on as many people as possible:
certainly,
I have the last word,
but
I utter it in such a whispering voice
that
nor can I hear it only the warrant
officer
hears it and he lays his hand
on
the throat of the traitor gypsyish
patience
supports me and I forgive no one
I
always listen to a song of lark
of
my innards.”
***
I
am nauseated by my fatherland
with
the contaminated blood
and
the bitten tongue – she reeks
of
gypsy woman’s cunt flower
in
a cul-de-sac she has no place to set out.
Only
when everything is silent within us
are
we able to glimpse Him, the One
who
fills our silence and the soul
of
the one killed by the rabid barbarian
with
a bullet fired into the nape of his neck
a
bunch of grapes hovering in the void
pouring
drop by drop a rainbow describing
him
in the arms of the Lord above his house
occupied
by the assassin the hands of Christ
full
of bitterness and of mystery above him
and
the Comforter full of dolour today too
above
the killed houses wherein the happy
assassins
pullulate. The silence and our
incapacity
to pray are deeper and deeper
the
cruelty of the barbarians acuter and acuter.
We
must search for a house of ours in the skies.
We
are as sad as Christ on Maundy Thursday
in
the Passion Week. We must know how
to
always be grateful to a terrible enemy
because
he renders us to ourselves because
he
liberates us from the dispersal and from
the
dilution because however he works
for
our good. The barbarians are just as
they
themselves say our rescuers subjecting
us
to trials to humiliations and to innumerable
sufferings
hoping to destroy us. Yeah, that
always
supervenes in reverse. That’s why
the
killer is the true defeated man.
***
Jesus
Christ at the Last Supper
leans
in consolation from too
far
from here over the one to be consoled
as
if He were to be consoled pushed
from
the death into the death
outside His cloud of death
from
outside He leans forward
and
consoles. He rather comes
from
our soul like an uninterrupted
inaudible
rustling as in front
of
a railway station in a borough.
***
The
long, black eyelash fallen
on
the page of the one-century-old
holy
book moves in front of the verse,
“Woe
to you when all men speak well
of
you.” The eyelash glides down
like
some shorts like a mushroom of Satan.
***
For
sale is the forgiveness, for sale is the cheap
revenge,
for sale is the soul and the dog
that
bites his ass and the death that slaps
him
on the nape of his back, the motion
that
he makes is flawless. Therefore, we must
forgive
for the simple reason that it’s an arduous
and
almost impossible thing. All the people are
petty
and don’t think about anything but revenge
and
they do it with much liveliness almost
without
thinking. The singularity of the forgiveness
is
like God. We shall forgive even with the blood.
For
sale is the candy on the koliva.
***
The
cannibals of the Apocalypse
prophesy
no more
squat,
their pants down in the brothel
having
diarrhoea. With them sang
encouragingly
vocally and instrumentally
the
castrated and the transgenders
under
a round blue gate
as
well as a woman crammed
into
the mailbox and blood
flowed
from her nose.
The
blood is flowing, and the soul is taking
flight
the only occasion to set our senses free
under
the eyes of the original comforters
fags
who meticulously prepare a catastrophe
to
stick it into you and you depart for the Death
as
if you knew that a party, a joy, a celebration
are
awaiting you and alcoholic beverages, drugs,
cigarettes
of that kind that cause harm are forced
down
your throat nonetheless the forehead
of
the warrior is still wet with blood the riches
spurting
out with every huge explosion!
The
atrocious death is ash. Nor are there
corpses
– ashes and diamonds.
Vlad Neagoe’s Between Life and Wind (2017) is a poetic volume that stands as a testament to the enduring power of Romanian lyricism, offering a profound meditation on the thresholds of existence. With over thirty volumes of poetry to his name, Neagoe has long been recognized as one of Romania’s most gifted and accomplished poets. This collection, written in English and spanning 180 pages, distills his mature voice into a series of poems that are as rich in imagery as they are in philosophical depth.
🌬️ The Poetics of Liminality
The title Between Life and Wind signals a thematic preoccupation with liminality—the space between being and becoming, presence and absence, flesh and spirit. Neagoe’s verse inhabits this threshold, crafting a “tragic and profound horizon of transparence on the verge of words”. His language is not merely descriptive but evocative, conjuring atmospheres where wind becomes a metaphor for impermanence and life a fragile vessel of consciousness.
This liminal poetics is reinforced by his stylistic choices: elliptical syntax, musical phrasing, and a rhythm that mimics breath and breeze. The poems do not resolve; they hover, inviting the reader into a state of contemplative suspension.
🎨 Sensory Intensity and Symbolic Density
Neagoe’s poetry is “flooded with a heightened sensory awareness,” a trait that aligns him with the Symbolist tradition while also echoing the existential lyricism of poets like Eugenio Montale and Octavio Paz. His images are not ornamental but essential—each one a cipher for metaphysical inquiry. A flower may bloom “unexpectedly, fatally,” a moment may be “webbed,” and illusion may be “equated,” suggesting a world where perception is both revelation and deception.
The poet’s command of sound—his “strong power of rhythm, music and sound in language”—creates a sonic architecture that supports the weight of his metaphysical themes. The poems are meant to be heard as much as read, their cadences echoing the wind that threads through the book’s title and soul.
🧭 Philosophical Bearings
Neagoe’s background in journalism and philology, along with his doctoral studies at the University of Bucharest, inform the intellectual rigor of his poetry. Yet Between Life and Wind is not academic; it is existential. The poems ask: What does it mean to live on the edge of language? How does one navigate the winds of time, memory, and mortality?
These questions are not answered but enacted. The poet’s voice becomes a vessel for philosophical inquiry, drawing the reader into a shared space of reflection. In this way, Neagoe’s work resonates with the tradition of Romanian philosophical poetry, from Lucian Blaga to Nichita Stănescu, while carving its own distinct path.
📚 Conclusion: A Cartography of the Soul
Between Life and Wind is not merely a book of poems—it is a cartography of the soul’s journey through the invisible currents of existence. Vlad Neagoe offers no easy truths, no comforting resolutions. Instead, he gives us wind: elusive, omnipresent, and transformative. In doing so, he affirms poetry’s power to articulate the inarticulable, to trace the contours of life as it dissolves into mystery.
SOURCE : COPILOT
If my writings are fated to perish — let them perish; let both the sky and the earth perish nonetheless the expressed Truth will remain.
"And World's Memory Moves" by Vlad Neagoe is a thought-provoking literary work that showcases the author's mastery of poetry and prose. Published in various editions, including paperback and eBook formats, the book has garnered attention on platforms like Amazon and Alibris. With prices starting at $20.13, it's accessible to readers interested in exploring Neagoe's unique style.¹ ²
Author Background Vlad Neagoe, a poet, essayist, and prose writer from Moldova, brings a distinct voice to the literary world. Born on March 2, 1952, in Tănătari village, Căuşeni district, Neagoe's background in journalism and pedagogy has likely influenced his writing. He graduated from the Pedagogical Institute in Bălţi and studied at the Faculty of Journalism, Chişinău University.³
Literary Themes and Style While specific themes and styles in "And World's Memory Moves" aren't readily available, Neagoe's work often explores life, death, love, loss, and memory. His poetry is known for its surreal imagery, existential reflection, and metaphysical musings. As a writer, Neagoe's dreamlike quality and philosophical depth have drawn readers to his work.
Editions and Availability "And World's Memory Moves" is available in various formats, including paperback and eBook editions, on platforms like Amazon and Alibris. The book has been published in multiple editions, with prices varying depending on the seller and location.⁴
Conclusion "And World's Memory Moves" by Vlad Neagoe is a captivating literary work that showcases the author's unique style and perspective. With its availability on various platforms, readers can explore Neagoe's poetry and prose, delving into themes of life, memory, and existence. If you're interested in learning more about Neagoe's work or exploring his writing, this book is definitely worth checking out.