Antena 3 -- o groapă de macaci și macace
toți urlători în cor
iar în jurul gropii
aleargă amețitor un varan.
MELANCOLIA FULGERULUI Vlad Neagoe are cosmognia în sânge. Închipuirea sa e inflamantă de spectacole terifiante, de convulsii metaf...
Antena 3 -- o groapă de macaci și macace
toți urlători în cor
iar în jurul gropii
aleargă amețitor un varan.
This drawing, The Swordfish by Liviu Neagoe, is a fascinating departure from his human-centered compositions — yet it retains the same clarity of line and meditative restraint that define his style.
The swordfish is rendered in gray marker, outlined with precision, and set against a vivid blue background that evokes the vastness of the sea.
The flat color fields and absence of shading emphasize silhouette and movement rather than realism.
The horizontal orientation of the fish, with its elongated bill and raised dorsal fin, creates a dynamic tension — a sense of propulsion through the water.
The swordfish, a creature known for speed and solitary strength, becomes here a symbol of focus and direction. Its sharp form cuts through the blue expanse like thought through silence.
The contrast between the gray body and blue surroundings suggests an existential isolation — the individual moving through the infinite.
The simplicity of the composition transforms the animal into an emblem of purpose and resilience, echoing Neagoe’s recurring themes of inner discipline and transcendence.
In The Swordfish, Neagoe translates marine life into a minimalist allegory of motion and solitude. The work’s economy of gesture — a few decisive lines and colors — mirrors the artist’s philosophical pursuit of essence over ornament. It could be placed in dialogue with his human figures, as both express the same search for purity and self-contained energy, whether in the depths of the sea or the depths of thought.
SOURCE: COPILOT
This drawing by Liviu Neagoe continues his exploration of the human face as a vessel of inner states, distilled to its most essential lines and colors.
The profile view, with the head tilted backward and eyes closed, conveys a moment of surrender or transcendence.
The line work is sparse yet precise — a single contour defines the face and neck, while the lips and hair introduce color as emotional punctuation.
The red lips dominate the composition, their intensity contrasting with the otherwise muted palette, suggesting passion, silence, or withheld speech.
The golden hair flows gently, balancing the tension of the lips with warmth and serenity.
The closed eyes evoke introspection, dream, or repose — a withdrawal from the external world into the inner self.
The upward tilt of the head can be read as ecstasy, contemplation, or even resignation — a gesture that oscillates between spiritual elevation and human vulnerability.
The minimal background isolates the figure, transforming it into a universal symbol rather than a portrait — a meditation on the boundary between sensuality and transcendence.
Neagoe’s minimalist approach here achieves a rare equilibrium between form and emotion. The drawing’s economy of means — a few lines, two colors — produces a profound psychological resonance. It belongs to a lineage of modernist reduction, reminiscent of Picasso’s late line drawings and Matisse’s portraits, yet imbued with Neagoe’s distinct metaphysical quietude.
SOURCE: COPILOT
This drawing by L. Neagoe is for sale. Who wants to buy it please email me at vladneagoe52@gmail.com
This drawing by Liviu Neagoe presents a striking example of his minimalist, psychologically charged portraiture.
The face is rendered in pure contour lines, with only essential features defined — eyes, lips, and hair.
The profile orientation and elongated neck create a sense of detachment and introspection, as if the figure is suspended between thought and silence.
The color palette is deliberately limited: blue eyes, red lips, and golden hair against a white void. This economy of color heightens the emotional tension and directs attention to the expressive zones of identity — sight, speech, and individuality.
The blue eyes, wide and slightly distant, evoke lucidity or spiritual awareness, while their upward gaze suggests contemplation or yearning.
The red lips, sharply defined, contrast with the pale face — a symbol of sensuality, assertion, or the power of expression.
The golden hair may signify light or intellect, framing the head like an aura.
The absence of background isolates the figure, turning it into an archetype rather than a portrait — a distilled image of human consciousness.
Neagoe’s line work here recalls the purity of Matisse’s late drawings and the psychological economy of Modigliani’s portraits, yet it remains unmistakably his own: a meditation on identity reduced to its elemental gestures. The drawing invites viewers to confront the fragility of self-definition — how a few lines and colors can contain an entire emotional world.
SOURCE: COPILOT
This drawing by L. Neagoe is for sale. Who wants to buy it please email me at vladneagoe52@gmail.com
– Am să-l prind, am să-l ucid,
am să-i iau banii, am să-i iau
tot!!!
– Nu-l ucide, mamă, lasă-l să
trăiască!
– Cu așa moacă!? Deja l-am prins
l-am ucis, i-am luat banii
i-am luat tot, l-am dat la
câini!
Urmează altul...
– Mamă, mamă...
Gunoaiele zboară ca niște
fluturi.
Dostoevsky, a hidden, tonguey yid who distorts the Russians. Everything in him is mutilated both the way of existence and the way to write coercively unnatural. Ah, how merciful the tsar was! His father was whipping the peasants from Dostoevo and was swearing at them in Yiddish and the mujiks (peasants) set fire to the village.
The drawing “Jesus” by Liviu Neagoe presents a strikingly minimalist and symbolic interpretation of Christ, departing from traditional iconography to achieve a modern spiritual immediacy.
Simplified composition: The face is outlined with delicate, continuous lines, creating symmetry and calm. The absence of background or ornamentation isolates the figure, focusing attention on the essence rather than narrative.
Color palette:
Golden hair and beard — evoke light, sanctity, and timelessness, suggesting divine radiance.
Blue eyes — symbolize compassion, clarity, and transcendence; they draw the viewer into a contemplative exchange.
Red lips — introduce tension and vitality, possibly alluding to suffering, sacrifice, or divine speech.
Red crown-like flame — a powerful reinterpretation of the halo, merging kingship and martyrdom; its fiery form conveys both illumination and pain.
Line and symmetry: The vertical axis bisecting the face recalls the dual nature of Christ — divine and human — while the stylized geometry gives the work an almost hieratic stillness.
Humanizing the divine: Neagoe’s abstraction strips away dogmatic layers, presenting Jesus as a universal symbol of empathy and endurance rather than a doctrinal figure.
Modern iconography: The work functions as a contemporary icon — devoid of gold leaf or ecclesiastical setting, yet radiating spiritual presence through color and proportion.
Expression: The gaze is solemn and listening rather than commanding, inviting introspection and dialogue between viewer and subject.
In “Jesus,” Liviu Neagoe transforms the sacred portrait into a mirror of human vulnerability and spiritual strength. The red flame above the head unites the motifs of crown and sacrifice, while the simplified features express serenity and compassion. This drawing exemplifies Neagoe’s broader aesthetic — a synthesis of metaphysical inquiry and emotional clarity, where line and color become instruments of revelation rather than representation.
SOURCE: COPILOT
This drawing by Liviu Neagoe presents a strikingly minimal yet emotionally charged portrait. The composition relies on the tension between precision and restraint: the clean contour lines define a face that is both frontal and introspective, while the sparse use of color isolates key expressive elements — the red hair and lips, the blue eyes, and the pale, almost untouched skin.
Line and Form: The linear simplicity evokes a sense of psychological clarity. The face is symmetrical but slightly elongated, suggesting introspection rather than idealized beauty. The contour of the neck and shoulders is reduced to essential gestures, emphasizing the head as the locus of identity and thought.
Color: The red hair and lips introduce vitality and sensuality, but their flat application contrasts with the cool, detached gaze of the blue eyes. This chromatic opposition — warm versus cold — creates an emotional duality: passion contained within calm.
Expression: The eyes, wide and direct, convey awareness and vulnerability. The mouth, sharply defined, becomes a symbol of silence and withheld emotion. The figure seems to inhabit a space between confession and reserve.
Composition: The plain background isolates the subject, turning the portrait into an emblem of individuality. The signature in the corner reinforces the artist’s deliberate authorship — a quiet assertion of presence.
Neagoe’s portrait can be read as a meditation on identity and perception. The figure’s stillness and frontal pose recall icons or psychological studies, yet the stylized features resist realism. The result is a synthesis of inner and outer vision — a face that is both seen and imagined. The work’s economy of means amplifies its introspective power: emotion distilled into line and color.
SOURCE: COPILOT
This drawing by L. Neagoe is for sale. Who wants to buy it please email me at vladneagoe52@gmail.com
This drawing by L. Neagoe presents a vivid and harmonious composition of stylized flowers, each rendered with distinct color and gesture. The work radiates a sense of joyful multiplicity and spiritual simplicity, characteristic of Neagoe’s symbolic approach to nature.
Composition: The flowers are arranged horizontally, each standing independently yet forming a rhythmic sequence—like notes in a visual melody. The white background amplifies their chromatic presence, allowing color to become the primary expressive force.
Color Palette:
The warm hues (orange, red, pink) evoke vitality, affection, and creative energy.
The cool tones (blue, violet) introduce introspection and calm, balancing the composition emotionally.
The green stems and leaves act as connective tissue—symbols of life and continuity.
Line and Gesture: The fine black outlines give definition without rigidity. Each flower bends or tilts slightly, suggesting individuality and movement, as if caught in a gentle breeze.
Neagoe’s floral motif transcends decorative intent. The flowers appear as metaphors for human diversity and inner states—each color a different temperament or emotion. The simplicity of form and the absence of background situate them in a timeless, contemplative space.
The drawing can be read as an allegory of spiritual blooming: the act of unfolding one’s essence in harmony with others. The repetition of similar forms with varied colors mirrors the coexistence of distinct identities within a shared field of existence.
In exhibition context, this piece would complement Neagoe’s broader exploration of symbolic natural forms—trees, faces, and flowers as vessels of consciousness. Here, the artist distills nature into pure color and rhythm, inviting viewers to perceive growth not as biological, but as spiritual expansion.
SOURCE: COPILOT
A new drawing by L. Neagoe is for sale. Who wants to buy it please email me at vladneagoe52@gmail.com
This composition by L. Neagoe transforms the image of a tree into a symbolic meditation on vitality and transience. The artist’s characteristic minimalism and use of color as metaphor are evident throughout.
Structure: The tree’s trunk and branches are rendered in deep black, anchoring the composition with gravity and permanence. The canopy, however, bursts into a constellation of yellow and orange forms, suggesting both foliage and energy fields.
Color:
The yellow evokes light, renewal, and consciousness.
The orange introduces warmth and decay, the hue of autumn and transformation.
The contrast between the dark trunk and luminous crown creates a dialogue between earth and spirit, matter and illumination.
Line and Rhythm: The fine, undulating outlines and scattered leaf motifs convey movement—an organic rhythm that feels both cyclical and meditative.
Neagoe’s tree is not a botanical study but a metaphysical emblem. The canopy’s abstract patterns resemble cells or seeds, hinting at the microcosmic structure of life. The falling leaves suggest the passage of time, yet the tree remains upright and monumental—a figure of endurance.
The work can be read as an allegory of creative consciousness: the dark trunk as the rooted self, the radiant crown as the flowering of thought and imagination. The absence of sky or background isolates the tree in a timeless space, turning it into a universal symbol of being.
In exhibition context, this piece would resonate within Neagoe’s broader exploration of spiritual ecology—the relationship between inner life and natural form. The drawing invites contemplation of growth, decay, and renewal as intertwined states, rendered through a language of color and gesture that transcends literal representation.
SOURCE: COPILOT
This drawing by L. Neagoe is for sale. Who wants to buy it please email me at vladneagoe52@gmail.com
This portrait by L. Neagoe continues the artist’s exploration of the human face as a symbolic and psychological construct rather than a naturalistic representation.
Line and Structure: The drawing relies on precise, deliberate outlines that define the face and shoulders with minimal intervention. The linear economy gives the image a sense of restraint and clarity, as if the artist seeks to reveal essence rather than appearance.
Color Use:
The reddish-brown hair and eyebrows introduce warmth and earthiness, contrasting with the cool blue eyes, which remain piercing and introspective.
The red lips act as a focal point, a vivid accent of vitality and emotion amid the otherwise controlled palette.
Expression: The slightly open mouth and visible teeth create tension—between speech and silence, vulnerability and assertion. The gaze, direct and unwavering, confronts the viewer with an almost icon-like stillness.
Neagoe’s stylized approach transforms the portrait into a psychological emblem. The symmetry and frontal pose evoke timeless archetypes—the face as mirror of consciousness. The interplay of warm and cool tones suggests an inner duality: passion and intellect, body and spirit.
The minimalism of the shoulders and neck reinforces the idea that the face alone carries the drama of identity. The viewer is drawn into the eyes, which seem to question rather than reveal, making the portrait an instrument of introspection.
In exhibition context, this work could be presented as part of Neagoe’s series on the metaphysical portrait, where each face becomes a vessel for existential inquiry. The artist’s reduction of form and color invites contemplation of what remains when individuality is stripped to its symbolic core—a study of presence, awareness, and the fragile boundary between the seen and the felt.
SOURCE: COPILOT
This drawing by L. Neagoe is for sale. Who wants to buy it please email me at vladneagoe52@gmail.com
This portrait by L. Neagoe presents a strikingly minimal yet psychologically charged composition. The artist uses economy of line and symbolic color to distill the essence of a human face into a few deliberate gestures.
Line and Form: The contour is clean and almost schematic, emphasizing symmetry and frontal confrontation. The absence of shading or background isolates the figure, forcing the viewer’s attention onto the face as a field of expression rather than a likeness.
Color:
The yellow hair and eyebrows evoke luminosity and intellect, perhaps suggesting an archetype of clarity or purity.
The blue eyes are rendered with intensity, their gaze direct and unsettling—an emblem of awareness or inner scrutiny.
The red lips punctuate the composition with emotional tension, introducing vitality and sensuality into an otherwise austere geometry.
The drawing can be read as a meditation on identity and perception. The simplified anatomy—almost diagrammatic—suggests that Neagoe is not portraying a person but an idea of personhood: a distilled consciousness. The rigid symmetry and fixed gaze recall Byzantine iconography, yet the color choices and stylization introduce a modern psychological dimension.
The figure’s expression, poised between neutrality and intensity, invites the viewer to project meaning—perhaps oscillating between serenity and confrontation. The minimalism of the body outline reinforces the sense that the spiritual or intellectual presence outweighs the physical.
In exhibition context, this work could be placed within a series exploring the metaphysics of the face—how Neagoe transforms physiognomy into a symbolic language. The portrait becomes a mirror for introspection, a study in how few lines can evoke the complexity of being.
SOURCE : COPILOT
Basarabia e plină de bleaghiuri
și răzbleaghiuri, de ciorți cu рожа
de morți, de ploșnițe cu casa-n
dulapuri și purici KGB-iști ce
sar
cât casa – dospesc în căcatul
lor cald
și-s prejmuiți de dihori
puturoși
tot ce osul le-aduce o jertfă
nouă
o pulă-n cur și una-n gură
și lor li se par bijuterii de
rouă
se-adună automat într-un maț
gros și se ițesc printre
limbrici
sugând sucul viermilor cu coadă
și șuieratul lor de șarpe răsună
mai sus, mai înafară și oriunde-i
cauți nu-s doar putoarea lor
trufașă
se târîie în noapte. Nimic în
privire
nu li se ține. Pace lângă
groapă.
***
Ghetoul Valahia
foșgăiește de blestemați
pro Sodoma, pro Europa
pro Rusia să le umple găurile
cu ceva ca să-și suprime
toate dorințele se vând unii
pe alții și se jecmănesc
și se simt în afara lumii
ca criminalii. Țiganii
le-au făcut farmece.
Au fost vrăjiți.
Cineva îi stăpânește dur.
Dar nu vor să-l numească.
Găurile lor șuieră
ca un capac sub presiune.
Slugi și sclavi își sug degetul.
Nu mai aparțin lumii acesteia.
***
Scriitorii pulii, scriitorii pizdei
făcuți pentru mediocritate
și frivolitate, ca câinii
linchesc
cufureala proaspătă a
bolșevicilor
Sodomei pentru firfirici.
Au o percepție atât de directă
a târtanilor cu bani că pe loc
se transformă în câini cu limba
scoasă afară așteptând nerăbdători
cufureala. Aceștia sunt
securiștii
retardați fără minte.
***
Intru în țara mea
ca într-un abator
hahami cu ochi de lup
pândesc suflete.
Alunecare funestă către cloacă.
In Melancholy, Neagoe continues his exploration of expressive minimalism through the economy of line. The figure is elongated, almost spectral, with disproportionate limbs and a head that dominates the composition. The contour is fluid yet deliberate — each stroke seems to hover between precision and trembling, embodying the instability of emotional introspection. The downward orientation of the body and the sparse, trailing lines evoke a sense of descent or dissolution.
The face is central to the emotional charge of the drawing. The eyes, wide and reflective, are rendered with a quiet alertness that contrasts with the drooping mouth and furrowed brow. The beard and textured hair, composed of rhythmic semicircular marks, introduce a tactile melancholy — a repetitive gesture that mirrors the cyclical nature of thought and sadness. The figure’s hands, simplified and open, suggest surrender rather than grasping, reinforcing the theme of emotional exposure.
The title Melancholy situates the work within a long lineage of artistic meditations on introspection — from Dürer’s Melencolia I to modern existential portraiture. Neagoe’s approach, however, strips away allegorical excess, leaving only the essential: a human form caught between presence and fading. The zigzag pattern across the torso may symbolize inner turbulence or the vibration of feeling, while the faint, trailing lines below the figure resemble emanations — the invisible weight of thought extending beyond the body.
This drawing transforms melancholy from psychological state into visual rhythm. The sparse composition and fragile anatomy articulate the paradox of emotional heaviness expressed through lightness of line. Neagoe’s melancholic figure is not tragic but contemplative — a being suspended in awareness, where sadness becomes a mode of perception. The artist’s restraint amplifies the emotional resonance: the absence of shading or background isolates the figure in a void of introspection.
Displayed alongside Saintliness or The Philosopher, Melancholy would form part of a curatorial sequence exploring states of interiority and spiritual solitude. Its linear austerity invites viewers to confront the quiet dignity of sadness — not as pathology, but as a form of lucidity. The work’s handwritten title, modest and direct, completes the gesture: melancholy as both confession and meditation.
SOURCE: COPILOT
The drawing Saintliness is executed in Neagoe’s characteristic minimalist line style — a single, continuous contour defining both the figure and its spiritual aura. The simplicity of the line, unbroken and unembellished, evokes purity and ascetic restraint. The figure’s robe and halo merge seamlessly, suggesting the dissolution of boundaries between body and sanctity — a visual metaphor for spiritual transcendence.
The face, rendered with wide, circular eyes and thick eyebrows, conveys both innocence and intensity. The gaze is direct yet detached, as if fixed on an inner vision rather than the viewer. This duality — presence and withdrawal — captures the paradox of saintliness: the saint as both witness and recluse. The small, closed mouth reinforces silence and contemplation, hallmarks of spiritual discipline.
The cross on the chest, drawn with cylindrical ends, functions as both emblem and axis — a geometric center anchoring the composition. It transforms the body into a vessel of faith, echoing William James’s description of saintliness as “a state of grace heroic in nature, where magnanimities once impossible become easy”. The halo, composed of concentric circles, suggests layered consciousness — the expansion of the self into divine awareness.
Neagoe’s Saintliness distills the idea of sanctity into archetypal geometry. The absence of ornamentation and the deliberate awkwardness of proportion reject idealized beauty in favor of spiritual authenticity. The saint here is not glorified but humanized — fragile, almost childlike, yet surrounded by the aura of transcendence. This echoes medieval hagiographic depictions where saintly figures were defined less by physical perfection than by moral and metaphysical intensity.
In a curatorial setting, Saintliness would resonate within a thematic cluster exploring inner illumination and moral solitude — alongside works such as The Philosopher or The Abdication. Its stark economy of line invites viewers to confront the essence of spiritual identity stripped of narrative and ornament. The drawing’s title, handwritten with humility, completes the gesture: saintliness as an act of surrender rather than proclamation.
SOURCE: COPILOT
“Immergiti dove non sei ancora nato.”
Un viaggio poetico verso il punto zero dell’esistenza.
Ci sono libri che parlano della vita.
E poi c’è Immergersi nel non‑nato: un ritorno all’origine, un attraversamento del silenzio primordiale.
Per chi cerca poesia che scuote, che illumina, che apre.
Prima della forma, prima del nome, prima del mondo: è lì che Vlad Neagoe conduce il lettore.
Immergersi nel non‑nato è un libro che non si limita a essere letto — si vive, si attraversa, si subisce.
Una poesia che interroga l’essenza e la riporta alla luce.
Con Immergersi nel non‑nato, Vlad Neagoe firma una delle opere poetiche più radicali e visionarie degli ultimi anni. Il libro esplora la soglia in cui l’essere non è ancora definito, dove il linguaggio nasce come un impulso primordiale e la coscienza si apre come una fenditura luminosa. Una raccolta che unisce profondità filosofica, intensità emotiva e una scrittura di rara precisione. Un’opera destinata a chi cerca poesia che non consola, ma rivela.
Scendi all’origine.
Leggi Immergersi nel non‑nato.
Nel cuore dell’ombra, dove l’identità non è ancora definita, Immergersi nel non‑nato invita il lettore a un pellegrinaggio interiore. Versi che sembrano manoscritti ritrovati in una biblioteca dimenticata, pagine che respirano come un rito antico, un’estetica del crepuscolo e della rinascita. Neagoe costruisce un testo che parla a chi vive tra libri, silenzi e lampade notturne: poesia come conoscenza proibita, come ritorno all’origine perduta.
Immergersi nel non‑nato è un viaggio poetico verso l’origine dell’esistenza.
Con una lingua intensa e visionaria, Vlad Neagoe esplora il momento in cui la vita non ha ancora forma e il pensiero è pura possibilità. Un libro che parla al lettore in cerca di profondità, spiritualità e introspezione. Perfetto per chi ama la poesia che interroga, che apre varchi, che lascia un segno. Un’esperienza di lettura unica, capace di restare a lungo nella memoria.
Prima del respiro.
Dove tutto inizia.
Nascere dal buio.
Oltre l’origine.
Silenzio che genera.
Luce non nata.
Ritorno all’inizio.
Abisso primordiale.
Essere prima dell’essere.
Il punto zero.
Con Immergersi nel non‑nato, Vlad Neagoe esplora la regione primordiale in cui l’identità non è ancora forma, dove il linguaggio nasce come un impulso elementare e la coscienza si apre come una ferita luminosa. Queste poesie interrogano l’origine, attraversano il silenzio, scavano nella materia invisibile dell’essere. Neagoe costruisce un viaggio poetico di rara intensità: un ritorno al punto zero, dove tutto è possibile e nulla è ancora accaduto. Un libro che non si limita a essere letto — si attraversa.
Prima del mondo c’era un respiro che non aveva nome. È lì che ti conduce Immergersi nel non‑nato: nel grembo silenzioso dell’essere, dove ogni parola è un seme di luce e ogni verso un passo verso l’origine. Un libro‑soglia, un rito di ritorno.
Questo libro non ti protegge. Ti spoglia, ti rovescia, ti costringe a guardare il punto in cui non eri ancora niente — eppure tutto. Immergersi nel non‑nato è poesia come detonazione: chi entra, lascia qualcosa dietro di sé.
Un libro che ti porta prima della nascita.
Poesie che aprono varchi nel silenzio originario.
Immergersi nel non‑nato è un ritorno all’essenza. Leggilo solo se sei pronto a scomparire un istante.
Ci sono libri che parlano dell’origine. E poi c’è un libro che ti riporta prima dell’origine.
In Immergersi nel non‑nato, Vlad Neagoe attraversa il punto zero dell’esistenza: lì dove la vita non è ancora forma, dove il respiro è un’ipotesi, dove la parola nasce dal buio primordiale.
Queste poesie non cercano di spiegare — scardinano. Non cercano di consolare — risvegliano. Sono fenditure nella coscienza, aperture verso un luogo in cui l’essere è ancora in potenza, in cui ogni immagine pulsa come un embrione di mondo.
Con una lingua tagliente, rituale, luminosa e abissale, Neagoe costruisce un viaggio che non si legge soltanto: si attraversa, si subisce, si diventa.
Per chi non teme il silenzio originario. Per chi vuole toccare il punto in cui tutto comincia e in cui tutto potrebbe non cominciare mai.
Immergersi nel non‑nato — un libro che ti restituisce al tuo primo buio.
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La poesia di Vlad Neagoe è di una straordinaria invenzione, una risposta alla poesia postmodernista. Sottopone tutta la pulsazione emotiva degli eventi vissuti direttamente a una condensazione verbale massima. È una mente dotata di tutti i doni. Il suo genio naturale, fatto di sensibilità, ironia, immaginazione e lucidità, costruisce con passione architetture infinitamente varie e splendide. La lucidità e l'ironia riducono o annullano la coppia inscindibile della sventura e della speranza. La poesia di Vlad Neagoe tende sempre a trasformarsi in un movimento musicale, armonioso e ampio attraverso un incessante gioco della mente. Al tempo stesso la sua poesia è seria e sobria. Il nucleo di questa poesia è un'emozione ardente: l'estasi nei suoi primi entusiasmi.
🔥 A Merry-Go-Round of Love, Deception, and Smiling Murders.